Lleva camisa bordada de oro, capotito morado sobre el brazo izquierdo, y guantes blancos. / 972. A Project by Miguel Ángel Blanco: Comparative Anatomies, Museo del Prado, sala de la reina Isabel II, Meta-painting. Autoportrait en manteau de fourrure. Dürer, Albrecht, 1471-1528. Falomir, Miguel (ed. On this artist depicted himself at the age of 22, when he returned from distant wanderings. Arte y Humanismo en la Alemania del Renacimiento
Pinturas existentes antiguas [...] En la 1ª sala de estte oficio [...] 71 / Ottro Rettratto en ttabla con vn Gorro alisttado en la cabeza de dos ttercias de Caida y media vara de ancho original de Alberto Durero = 3000 rs, Inv. After his journeys south, he sought to improve the artists’ level in German society. The harshest theory pronounces Dürer as arrogant, egotistical, and blasphemous for representing himself as the Savior. This would suggest that it was something very private, kept just for himself. Copyright © 2019. Albrecht Dürer was an artist highly conscious of his public image and reputation, whose main income came from his old master prints, all containing his famous monogram, which were sold throughout Europe. 150[? All rights reserved. Art historians note the similarities with the … Le dessin montre Albrecht Dürer dévêtu. 250. Anzelewsky, Fedja, Albrecht Durer. Inscribed in yellow. Núm. Il consacra de nombreuses années au travail de maîtrise de celui-ci, résumant par la... Autoportrait 1493 – Albrecht Durer Albrecht Durer a réalisé de nombreux autoportraits. Núm. ], Pinturas que estan en las Bobedas de Palacio [...] 382 / Otra de dos tercias de alto y media vara de ancho con marco negro de vn personaje de medio cuerp orginal de Alberto Durero, Pinturas existentes antiguas [...] En la 1ª sala de estte oficio [...] 71 / Ottro Rettratto en ttabla con vn Gorro alisttado en la cabeza de dos ttercias de Caida y media vara de ancho original de Alberto Durero = 3000 rs, Paso de Tribuna y Trascuartos [...] 382 / Vn retrato en tabla antiguo de dos tercias de alto y media vara de ancho de la manera de Lucas de Holanda, PINTURAS DESCOLGADAS DE PALACIO [...] 382 / Dos tercias de alto y media vara de ancho: Un retrato. Beginning at age 15, after he showed an early aptitude for drawing, Durer studied painting and printing with Michael Wolgemut, the most well-known artist in Nuremberg. / Col. de Cárlos II, R. Alc. Le placement des inscriptions dans les parties sombres de chaque côté de Dürer les présente comme flottant dans l'espace, soulignant que le portrait a une signification hautement symbolique. Bottineau, Yves, L'Alcázar de Madrid et l'inventaire de 1686. 03.06.2008 - 07.09.2008, Durero y Cranach. The self-portrait is most remarkable because of its resemblance to many earlier representations of Christ. Albrecht Dürer, Self-portrait, 1498, oil on panel, 52 x 41 cm (Museo Nacional del Prado, Madrid) Speakers: Dr. Beth Harris and Dr. Steven Zucker . Madrid
/ Col. de Cárlos II, R. Alc. / Alto 0,52; ancho 0,41.-T. AD.] ESCHER M.C. Dürer trained under the influence of Flemish painting while his two trips to Venice (1494–5 and 1505–7) allowed him to discover the secrets of Renaissance art. Portrait of a Man, 1516 - Albrecht Durer - WikiArt.org ‘Portrait of a Man’ was created in 1516 by Albrecht Durer in Northern Renaissance style. Basing himself on this Flemish format, Dürer added an Italian monumentality in the verticals and horizontals that create the window surround, also evident in the arrangement of his body which repeats the âLâ shape of the window in the bust, firmly supported by the arm leaning on the foreground ledge.Also present in this work is a characteristic of all Dürerâs exquisitely detailed portraits, namely his powers of psychological analysis, evident in the contrast between the sensual features and the cold, penetrating gaze. Preparation for the Sacrament: Christian Questions with Their Answers. Interestingly, it is the same face that he uses in the 1511 publication of his Small Passion (depicted left) for the face of Christ, the Second Adam. 1.100[? 71-72 n.9.5 A49. Sullivan, Margaret A, Alter Apelles: Dürer's 1500 self-portrait, Renaissance quarterly., LXVIII n.4 winter, 2015, pp. 111-114; 182-193. Was it simply painted for Dürer’s own personal devotional life as a reminder to daily imitate Christ? 1471-1528. Or could this self-portrait be a prototype for something in the future, just as The Praying Hands was a pattern for a future work? Bibliothèque nationale de France, BnF: creatorOf: Dürer, Albrecht, 1471-1528. There's no doubting the conscious quotation of … Aspects de la cour d'Espagne au XVIIe siècle (procedencia/provenance), Bulletin Hispanique, LX, 1958. Voir plus d'idées sur le thème peintre, albrecht durer, autoportrait. It would appear that he intended to leave the painting to posterity as it is dated 1500, with his famous AD monogram underneath, a play on his own initials and Anno Domini, the year of our Lord. Print artworks available in our catalogue in high quality and your preferred size and finish. He wears a white Jerkin with black edging and a shirt with gold lace, long hair, a black and white striped cap with tassels, a brown cape and grey kid gloves. 153. Albrecht Dürer (1471-1528), Autoportrait aux gants ou Autoportrait à 27 ans, 1498, Musée du Prado, Madrid Núm. ], [¿]Pieza paqueña que mira al Picadero [...] {302} Pieza pequeña que mira al picadero: Yttem Ottra Pinttura de el mismo tamaño de Vn filosofo de mano de Albertto durero con marco negro tasada en Zientto y Cinquentta doblones. Calle Ruiz de Alarcón 23. Munich Alte Pinakothek. (tabla) / Alto 1 pie, 10 pulg, 6 lin; ancho 1 pie, 5 pulg, 6 lin. L'artiste affirme ainsi la noblesse de son travail et sa fonction de … The formation and dispersal of the collections of King Charles I and his Courtiers., Yale University Press, London, 2013, pp. Find more prominent pieces of self-portrait at Wikiart.org – best visual art database. MartÃnez Leiva, Gloria; RodrÃguez Rebollo, Ãngel, El inventario del Alcázar de Madrid de 1666. Alberto Durero ... 1500, Habitación del Señor Infante Don Carlos [...] Sexta pieza [...] 382 / tres quartas de alto dos tercias de ancho retrato de persona desconocida = Alberto Durero. 21.05.2013 - 10.11.2013, The Renaissance Portrait
Nearly everyone who sees the magnificent self-portrait of Dürer has the same reaction viewing it as an icon of Christ Himself. 06.06.2020 - 28.02.2021, Meta-painting. Garrido Pérez, Carmen, Albert Durer: Deux Manieres Differentes de Travailler, [s.n], 1997, pp. ], Inv. Alcázar, Madrid, 1734. 4121x6000 Praying Through Wallpaper Pictures to Pin on Pinterest - PinsDaddy. However, since then, art critics of later times have looked backwards speculating on Dürer’s motives. The Renaissance master has given himself the appearance of a transfigured, charismatic living god. Núm. Albrecht Dürer † Catholic Encyclopedia Albrecht Dürer Celebrated painter and engraver, born at Nuremberg, Germany, 21 May, 1471; died there, 6 April, 1528. Front, lower right corner, Reunited
Felipe IV, Alcázar de Madrid, 1686. Dans le coin supérieur gauche, la signature de Dürer … Stange, Alfred, Albrecht Durer, Emil Vollmer, BerlÃn, pp. 26. Albrecht Dürer - 1500 self-portrait (High resolution and detail)FXD.jpg 4,130 × 5,710; 3.74 MB 20171017194217!Dürer - Selbstbildnis im Pelzrock - Alte Pinakothek.jpg 3,002 × 4,155; 1.54 MB Dürer Alte Pinakothek.jpg 842 × 1,157; 84 KB Front, right side, 382
Inv. 1920x1080 1507 the wallpaper durer introduced wallpaper adoration you many could. Albrecht Dürer. PINTURAS DESCOLGADAS DE PALACIO [...] 382 / Dos tercias de alto y media vara de ancho: Un retrato. En el fondo se ve por una ventana un pais con rio. Burke, Marcus B., Private Collections of Italian Art in Seventeenth Century Sp, I, University Microfilm International, Nueva York, 1984, pp. Interestingly, during the century following the creation of the self-portrait, there is no mention of anyone viewing it with religious connotations. Self-Portrait is a panel painting by the German Renaissance artist Albrecht Dürer. Durer was a highly talented individual who put his creative skills into several different art mediums, most notably painting and engraving.The most famous art works to have come from the career of Albrecht Durer include Knight, Death, and the Devil, Saint Jerome in his Study, Melancholia, Rhinoceros and Hare.. Another explanation is Dürer’s desire to elevate the status of the German artist from simply a craftsman to the level of genius as he had witnessed in his travels to Italy. [¿] s.n.[?]. Albrecht Durer lived in the XV – XVI cent., a remarkable figure of German Northern Renaissance. Ashcroft, Jeffrey., Albrecht Dürer: documentary biography: Dürer's personal an..., Yale University Press,, 2017, pp. He located himself in a room that opens onto the outside through a window in the back wall, following Dieric Boutsâ Portrait of a Man of 1462 (London, National Gallery), a format that was subsequently widely adopted in Flanders and Italy. 1600x1200 Albrecht Dürer, Diadalkocsi Miksa császár Diadalmenetéhez, (1518 ... Download. 382. 15.11.2016 - 19.02.2017, Obra Invitada en el Museu Nacional de Arte Antiga. L'arrière plan est sombre. 382. 1-8. Thus, Dürer dresses himself in the elegant fur robe of a nobleman while suggesting the important and necessary tools of the artist in his clear, direct, discerning eyes and his well-formed fingers holding the fur for the paintbrush. Den Albrecht Dürer, gebuer den 21.Mee 1471 zu Nürnberg an och do de 6. Albrecht Dürer (1471-1528) - "Autoportrait à la fourrure" (1500). 1316.-(972-H.)-Retrato del autor á los veintiseis años de edad, de medio cuerpo, sentado junto á una ventana, con traje rayado de blanco y negro y capa color de lila oscuro; puestos los guantes.-Es copia del que existe en la galería degli Uffizi.-Parece á algunos dudosa su autenticidad, á pesar de la inscripción que lleva con el monograma del autor. Fernández Bayton, Gloria, Inventarios reales: testamentaria del Rey Carlos II: 1701-1703 (procedencia/provenance), Museo del Prado: Patronato Nacional de Museos, Madrid, 1975. Albrecht Dürer, born in Nuremberg, Germany, on May 24, 1471, was the son of a master goldsmith. Madrid
This view is highly unlikely as his writings and life show Dürer as a devout Christian coming from a highly pious family. Albrecht Dürer] AD [anagrama]
Deaconess Carolyn S. Brinkley is the Director of the Military Project at Concordia Theological Seminary, Fort Wayne, Ind. [i] This would hold true to Dürer’s belief that his creative powers were an expression of God, as expressed in his own words, “…We shall all gladly learn, for the more we know so much more do we resemble the likeness of God who verily knoweth all things.”[ii]. Núm. 280-281. Autoportrait (1500) – Albrecht Durer Le mystère de l’idéal classique de la figure humaine ne donne pas la paix à Dürer. 226. Il s'agit d'un portrait à mi-jambe ; le brois droit, à partir du coude ainsi que le bras gauche ne sont pas représentés. Inscribed in orange. Durero. Dans son immédiateté et la confrontation apparente avec le spectateur, l'autoportrait est différent de tout ce qui s'est fait auparavant. Gerhardt, K., Ein vermmeintliches Selbstbildnis des jungen Albrecht Dürer, Homo, 3, 1971, pp. On the right, his Latin inscription translates, “Thus I, Albrecht Dürer from Nürnberg, painted myself with indelible colors at the age of 28 years.” But is there something more? Now you can add in works from the Collection browser, TITULOOBRA added to TITULORECORRIDO itinerary, Sánchez Cantón, Francisco Javier y Beroqui, Pedro, Institut für film und bild in Wissenschaft und Unterricht, Museo del Prado: Patronato Nacional de Museos. Madrid
V.V.A.A, Durero y Cranach: arte y humanismo en la Alemania del Renacimiento, Museo Thyssen-Bornemisza, Madrid, 2007. Die Europaische Mode Von Den Aufange, Henschelverlag, BerlÃn, 1980, pp. Relaciones artísticas entre España y Gran Bretaña, 1604 - 1655
Albrecht Dürer, 1471–1528, the first prolific self-portraitist. [i] Stefano Zuffi, Dürer, (London: Prestel 2012) 58. Museo Nacional del Prado. / Su trage es singular; rayado de blanco y negro; una gorra del mismo color le cubre la cabeza. Sur ce point, l’artiste se dépeint à l’âge de 22 ans, au retour de ses errances lointaines. Commented works: Self-portrait, Albrecht Dürer, (1498), by Cristina Iglesias, Dürer's Adam and Eve: Restoration project, Dürer's Adam and Eve: Restoration of the paint layer, Dürer's Adam and Eve: Restoration of the panels, Commented works: Polychrome Manikin, Albrecht Dürer (? ], [¿]Pieza pequeña que mira al Picadero [...] {539} Otra Pintura del mismo tamaño de vn filosofo de mano de Alberto Durero marco negro [? Albrecht Dürer : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York]. de Madrid.-F.L. ), El retrato del Renacimiento, El retrato del Renacimiento, Museo Nacional del Prado, 2008, pp. 23-25. [1498. lo pinte según mi figura. 1525), by Juan Bordes, Natural Histories. ], Inv. 1316.-(972-H.)-Retrato del autor á los veintiseis años de edad, de medio cuerpo, sentado junto á una ventana, con traje rayado de blanco y negro y capa color de lila oscuro; puestos los guantes.-Es copia del que existe en la galería degli Uffizi.-Parece á algunos dudosa su autenticidad, á pesar de la inscripción que lleva con el monograma del autor. 240-241. tenia yo veintiseis años. Painted early in 1500, just before his 29th birthday, it is the last of his three painted self-portraits. Fra Angelico to Fortuny
[¿]s.n[?]. Albrecht Dürer (21 de maio 1471 – 6 de april 1528) esseva un german pictor, imprimator e theoretico de arte.Su obras include le xylographias Apocalypse; Cavallero, Morte e le Diabolo (), Sancte Jerome in su studio (), e Melancolia I (1514), que habe essite le subjecto de multe analyses e interpretationes. Autoportraits et atéliers comme configurations du champ de l´art, Studiolo, nº 8, 2010, pp. All rights reserved, The itinerary TITULORECORRIDO has been successfully created. The answer is: we don’t know! 1.100[? . It remained in the Spanish royal collection until it entered the Museo del Prado in 1827 (Silva Maroto, P. en: El retrato del Renacimiento, 2008, p. 486). Find more prominent pieces of portrait at Wikiart.org – best visual art database. What was Dürer trying to achieve? 152, lám. Search within the 74104 Museum website results. Some think it was used to teach students and to demonstrate his skill to clients. Albrecht Durer - 846 artworks - painting. ), (Ca. Thiel, Erika, Geschichte des Kostums. Viena
/ 972. 12-feb-2020 - Bekijk het bord 'Albrecht Dürer' van Alan Who, dat wordt gevolgd door 138 personen op Pinterest. Núm. 382. In this work, executed in oil on wood panel in 1498, Dürer haughtily elevates himself to the social position he believed suited to an artist of his ability. Habitación del Señor Infante Don Carlos [...] Sexta pieza [...] 382 / tres quartas de alto dos tercias de ancho retrato de persona desconocida = Alberto Durero. Contraprestación
Matilla, José Manuel, Durero: obras maestras de la Albertina, Museo Nacional del Prado, Madrid, 2005, pp. . Felipe IV, Alcázar de Madrid, 1666. Bonardel, F., Triptyque pour Albrecht Dürer. lam. Haskell, Francis, The King´s pictures. Sánchez Cantón, Francisco Javier y Beroqui, Pedro, Inventarios Reales en 12 Volumenes y Un Indice (Fotocopias) (procedencia/provenanace), 1923. Self-portrait in a fur coat. Art historians consider it the most personal, iconic and complex of his self-portraits. Fernando VII, Palacio Nuevo, 1814-1818. albrecht durer, sanat, resim hakkında daha fazla fikir görün. 382. Madrid
150[? Obras Maestras de la Albertina. Madrid
08.03.2005 - 29.05.2005, Albrecht Dürer - Alberto Durero
Front, lower left corner, 972. Son humeur sombre est obtenue par l'utilisation d… Panofsky, Erwin, The life and art of Albretch Dürer, Princeton University Press, Princeton, 1955, pp. Additional information: Dürer’s Self-Portrait (1500) is oil on panel measuring 67×49 cm. 118-119. Why is this? Could Dürer’s self-portrait have been a preliminary, carefully executed exercise in capturing the face of all mankind made perfect in Christ? Nuremberg. Núm. Monday to Saturday from 10 a.m. to 8 p.m. Sundays and holidays from 10 a.m. to 5 p.m. Sundays and holidays from 3 p.m. to 5 p.m. Albrecht Durer, Hatje Cantz Verlag, 2003, pp. BNF-Le portrait Albrecht Dürer Albrecht Dürer Autoportrait au chardon. Peintre, graveur et mathématicien, il né en 1471 et mort en 1528 à Nuremberg. 223 nº 95. Abrëll 1528 gestuerwen, war en däitsche Moler, Graphiker an Auteur.. Bei sengem Papp, deen aus Ungarn war, huet den Albrecht Dürer d'Handwierk vum Goldschmadd geléiert an ass duerno beim Nürnberger Moler Michael Wolgemut an d'Léier gaangen. Retrato del autor. Il s'identifie volontairement dans ce tableau au créateur à travers la figure du Christ. Albrecht Dürer, Autoportrait, 1509. Núm. Up until that time it was kept privately in the Dürers’ home. 145. Dans ces deux tableaux, il avait mis en évidence sa coiffure et son habillement à la mode et joué sur le beau regard de sa jeunesse. He disliked having patrons and preferred to busy his workshop with woodcuts and engravings because they were not only more profitable, but he was able to be his own master. Lisboa
He obviously put a great deal of time, thought, and skill into the painting, but what was his purpose? 09.10.2007 - 06.01.2008, Durero. A Journey to the Idea of Art
Bekijk meer ideeën over albrecht durer, renaissance kunst, etsen. Self-portrait (or Self-portrait at 26) is the second of Albrecht Dürer's three painted self-portraits. Learn the meaning of the Reformation 2017 logo, download it, and use it as a tool to witness to others. Retrato del autor. L'année … Mains Dessin Corps Art Dessin Dessin Peinture Albrecht Durer Les Arts Peintre Dessin Sur La Vie. 146-165. y Pal. Rather, acclaim was given to the exquisite technique seen in the textures of the fur, hair, and eyes. Madrid
Madrid. 15.03.2002 - 02.06.2002. Front, right side, 1498
[¿]Pieza pequeña que mira al Picadero [...] {539} Otra Pintura del mismo tamaño de vn filosofo de mano de Alberto Durero marco negro [? 171. / Su trage es singular; rayado de blanco y negro; una gorra del mismo color le cubre la cabeza. 31.05.2016 - 25.09.2016, Captive Beauty. A Journey to the Idea of Art. 12. Institut für film und bild in Wissenschaft und Unterricht, Albrecht Dürers Selbstbildnis von 1498 Die exemplarische Bildbetrachtung, Folleto didáctico, 1969. . Frida Kahlo Kalho - autoportraits Frida Kahlo [archive] Léonard de Vinci (1452-1519) Léonard de Vinci Frida Kahlo Colonne brisée Kahlo, colonne brisée M.C. On the right, his Latin inscription translates, “Thus I, Albrecht Dürer from Nürnberg, painted myself with indelible colors at the age of 28 years.” But is there something more? Brion, Marcel, Albrecht Dürer. The Spanish ambassador Alonso de Cárdenas acquired it for Don Luis de Haro, who gave it to Philip IV in 1654. Dürer travaille dans la continuité de Van Eyck en tentant de reproduire le plus fidèlement possible la nature et les paysages. A successful portraitist and printmaker, he worked for the Emperor Maximilian I who granted him a pension in 1515, which was renewed by Charles V in 1520. Inv. ESCHER Escher : oeuvres PICASSO bio + analyse Pablo Picasso Picasso - 4 autoportraits. 28014. 129-130. Notes: English: Dürer painted himself half-length and slightly turned, beside a window that opens onto a mountainous landscape. It was on public display in the Nürnberg Rathaus from approx. 74, lám. Alberto Durero ... 1500, Inv. Dürer left his native city, then famous for its commerce, learning, and art A painter, printmaker and art theoretician, Albrecht Dürer was born in Nuremberg, gaining fame in his own lifetime through his prints. Paso de Tribuna y Trascuartos [...] 382 / Vn retrato en tabla antiguo de dos tercias de alto y media vara de ancho de la manera de Lucas de Holanda, Inv. It is Self-Portrait at 28 by Albrecht Dürer. "Autoportrait" Albrecht Dürer, 1500, 67 x 48 cm, huile sur panneau Albrecht Dürer (1471 - 1528) est d'origine allemande. 39-61; 50, n. 23. Voir plus d'idées sur le thème Albrecht durer, Nuremberg, Peintre. He wears an open black and white doublet with a striped cap in the same colours, an undershirt trimmed with gold and a silk cord of blue and white threads holding up a grey-brown cloak that falls over his right shoulder. Could there be something more important—and maybe even practical—going on? Testamentaría Carlos II, Alcázar de Madrid, 1701-1703. Érasme [Multimédia multisupport]. Carlos III, Palacio Nuevo, 1772. L'autoportrait de Dürer est nettement plus mature que celui de 1493 réalisés à Strasbourg et de celui de 1498 qu'il a produit après sa première visite en Italie. Downloadable materials to help promote your congregation’s observation of the 500th anniversary of the Reformation. Albrecht Dürer (21. toukokuuta 1471 – 6. huhtikuuta 1528) oli saksalainen taidemaalari ja graafikko, puupiirrosten ja kuparikaiverrusten tekijä. It’s Jesus! ... 3002x4155 Pin Dürer Autoportrait on Pinterest. Núm. Lleva camisa bordada de oro, capotito morado sobre el brazo izquierdo, y guantes blancos. y Pal. 61-66, lám. Although Dürer was meticulous with his writings of journals, letters, family history, and books, he wrote absolutely nothing regarding his Christ like self-portrait. 146,160 fg.159. Le portrait commémore donc un tournant dans la vie de l'artiste et dans le millénaire. Some see the masterpiece as the artist’s way to imitate Christ in his life and work as set out in Thomas a Kempis’s De Imatatione Christi. Le sujet regarde directement le spectateur. It was not until after the artist’s death that the self-portrait was hung in the town hall of Nürnberg for public display. [¿]302[?]. / Alto 0,52; ancho 0,41.-T. - 1498 - / Das malt Ich nach meiner gestalt / Ich war sex und zwanzig jar alt / Albrecht Dürer. 1316. . Inscribed in white. (tabla) / Alto 1 pie, 10 pulg, 6 lin; ancho 1 pie, 5 pulg, 6 lin. Museo Nacional del Prado, La almoneda del siglo: relaciones artÃsticas entre España y Gran Bretaña, 1604-1655, Museo Nacional del Prado, Madrid, 2002, pp. Dürer trained under the influence of Flemish painting while his two trips to Venice (1494â5 and 1505â7) allowed him to discover the secrets of Renaissance art. Dürer depicts himself indoors under an arch, in half length, turning towards the viewer. 109. However, this interpretation falls short, as Dürer’s interest did not lie in commissioned oil paintings. Dans la vision des étapes de la vie pendant la période médiévale, l’âge de 28 ans indique le passage de la jeunesse à la maturité. Dürer has sheathed the hands that he uses to paint in grey kidskin gloves indicative of high rank with the aim of elevating his social status from that of craftsman to artist and of locating painting among the liberal arts, as in Italy.The artist chose a half-length, three-quarter format with two focuses of attention: the face and hands. 9-37. Pope-Hennessy, John, The Portrait in the Renaissance, Phaidon Pres Ltd, Londres, 1966, pp. But why would he paint in the typical medieval tradition of picturing Jesus in full frontal view and use himself as the visage of Christ? ‘Nude Self-portrait’ was created in 1505 by Albrecht Durer in Northern Renaissance style. In the same year that he published the Apocalipsis cum figuris, Dürer painted himself as a gentleman, dressed in light toned clothes and looking his best. En el fondo se ve por una ventana un pais con rio. 04.09.2003 - 08.12.2003, La Almoneda del Siglo. Núm. Ferrarino, Luigi, Autorritrato con guenti di Albrecht Dürer, Studium: Revista de humanidades, 6, 1973, pp. ], Inv. 1161-1191 [1168 f.2]. 972. La conversation sacrée, Transparence, Chatou, 2012, pp. Sporer, E. D., Albretch Durer 1471-1971, Prestel Verlag, Munich, 1971. Jan 5, 2016 - Albrecht Dürer; 21 May 1471 – 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. Inscribed in red color. Felipe IV y su colección artÃstica, Consejo Superior de Investigaciones CientÃficas, Madrid, 2015, pp. Albrecht Dürer. Recht, R., Le lieu privé du peintre. Tel +34 91 330 2800. Catálogo Museo del Prado, 1873-1907. Il est en mi-longueur, frontal et très symétrique; l'absence d'un fond classique présente apparemment Dürer sans tenir compte du temps ou du lieu. Following Charlesâ overthrow and execution, it was sold at his posthumous sale in 1651. A painter, printmaker and art theoretician, Albrecht Dürer was born in Nuremberg, gaining fame in his own lifetime through his prints. Request artworks available in our catalogue in digital format. His life and work, Thames and Hudson, Londres, 1960, pp. [ii] William Martin Conway, The Writings of Albrecht Dürer, (New York: Philosophical Library 1958) xviii. Autoportrait de 1484 – Albrecht Durer Sur une feuille rectangulaire de papier épais et rugueux, le garçon se représente en demi-tour.